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Katerina Fretwell

 

Poetry

 

 

A Fifties’ Show         15 

 

On a b&w screen, the set a spartan NYC flat,

Jackie Gleason & Audrey Meadows dueled

while Ed Norton, born in my town,

played gagster on the sidelines. Audrey’s

rolled-eyeball Oh, Ralph after Jackie’s

Pow, right in the kisser! stoked every

hausfrau trapped into putting out

the milkman & Toll House cookies,

Rosie the Riveter consigned  

to history’s dustbin. In a box-house,

2 widows & 2 cousins—Mom, Ruth, Derek & I

squalled like The Honeymooners.

In Happy Hour, Mom & Ruth got pissed, 4 to 6.

Drinking bitters’ residue, Derek and I fed the dog

Swanson TV dinners. The dog bit the diva

the one my cuz blasted on his tuba

for her 7 am Saturday arias—

Schnauzer had to be put down. 

Ruth painted even the fridge

eggshell-blue. We stroked the other

rooms green as my envy—Derek

could work, shag and get pissed.

Our fifties double-mom, 2 kids, 1 dog

honeymoon passed like a TV episode,

say today’s CSI Crime Scene. Granddad swept

Ruth’s art and Mom’s law degrees

aside—Be proper moms. 

 

 

In Black & White         12 

 

As we raced for Assembly

the rickety projector

      spit out a b & w movie—

            white-tooth army grinds

down the hapless black

      imprinting on us grade-schoolers—

white wins:   the catch   career   fame   fortune

black snags:   the dear john   pink slip   bad rep/rap. 

The saccharine flick’s sermon

infected me like halitosis or gingivitis

      as the white-coated dentist

            pinned me down

felt me up

      Mom in disbelief that

he teethed on my budding tits

since he discounted the price. 

Today’s TV Closeup ads airbrush

the old Brusha Brusha into film noir—

      transfigured white smiles

            sugar-coat the gap

between haves & nots.

      Rotten gums are linked to strokes ...

Black army chips away—few can afford

the drill, let alone the cosmetic touch-up. 

1955

 

 

Royal Bearing          57

 

      (To Aunt Kate 1910 – 2000) 

Imposing at six feet,

your blue orbs bore down

as I rudely pushed you aside

in my nonsensical kinder-years. 

Married into Mom’s bankrupt

family, her domestic

ineptitude stunned your

base-camp-survival mode, 

you trained me to sew

zippers, iron Oxford cloth

button-downs and coddle

poached eggs just so. 

Eschewing French-German

Honours to wed, you joshed

that the six IQ points short

of Mom’s 160 afforded you  

house smarts. Raconteur

enthroned in a wingback,

you harvested us five

cousins—at your feet, 

presented yourself—

Mrs Search & Rescue

in family mishaps.

Dying, Mom chose for 

my coerced social curtsy

her frayed brown frock.

You nixed that, At least

give her the proper armour! 

Modern Cinderella, I bowed

to dowagers on the dais—armed

in borrowed obligatory off-white.

Bless your common sense. 

 

 
 
 
 
 
 
Katerina Fretwell's fourth and fifth poetry collections, which also include her art, were published by Pendas Productions in 2004 and 2008 respectively and are entitled: Shaking Hands with the Night and Samsara: Canadian in Asia. Her recent poems have appeared in The Fiddlehead, The Antigonish Review, Rampike, The Windsor ReView, Jones Av and Crossing LInes: Poets who came to Canada in the Vietnam Era. She chaired the Lowther Jury in 2006 and edited two anthologies for the League of Canadian Poets' Feminist Caucus, 2005 and 2007: And no one knows the blood we share and Arms Like Ladders: the Eloquent She. Danse Macabre welcomes Katerina's poetry to our pages.